ScatteredLogical
07-21-2004, 11:48 AM
Reading up on my own and talking to people, for example, from here and who are out working in the industry, or even reading interviews, I have a confident yet realistic perspective (I hope) on the state of things.
I have a friend Diane, though, who goes to Edinboro University of Pennsylvania, and every month she's got horror stories up the wazoo about rumors from the industry that sound contrived, or evil things studios/corporations are doing (like the extent of the "intellectual property theft" done to new recruits at places)...or even nonsense scare tactics like people applying for jobs at studios and starting out at the cafeteria lol....The worst I saw was looking at the Internet Movie Database and seeing a post from a kid whose 3D teacher told him that every hand-drawn animated film of the past decade was in fact cel-shaded 3D (dead serious), and that his teacher used to work for Pixar and was in-the-know so he "knows what he's talking about"....
Why the separation between the reasonable, and then the students-from-teachers mill of garbage and sludge? That school especially seems really bad (I used to go there by the way, but it's freezing all year round and I've got a terminal illness), as people from every year like to talk to undergrads and lower-classmen and much like the teachers talk about the latest thing they heard intended to disgust or embarrass or frighten the kids out of any motivations they've ever had to make something animatiorial out of themselves. Bursting bubbles is one thing, but I cannot stand a stream of misinformation being spread to hopeful non-cynical people. Who's got it right? There's a lot of unnecessary ignorance going around it seems...
The funniest part is when I went just a mile outside that town to get art supplies, and to a guy at a video store, both of the clerks when they found out about my major talked about these guys who were really hard workers and exceptional draughtsmen, and within a year one guy went to Pittsburgh to animate on a big TV project and the other guy wound up at Dreamworks (according to him)....
It's like pockets of resistance and I can understand the filtration of anyone but the people who most wanna do this thing we call the animation experience, but....do it fairly....otherwise you're tainting the image of everyone and everything involved...
I have a friend Diane, though, who goes to Edinboro University of Pennsylvania, and every month she's got horror stories up the wazoo about rumors from the industry that sound contrived, or evil things studios/corporations are doing (like the extent of the "intellectual property theft" done to new recruits at places)...or even nonsense scare tactics like people applying for jobs at studios and starting out at the cafeteria lol....The worst I saw was looking at the Internet Movie Database and seeing a post from a kid whose 3D teacher told him that every hand-drawn animated film of the past decade was in fact cel-shaded 3D (dead serious), and that his teacher used to work for Pixar and was in-the-know so he "knows what he's talking about"....
Why the separation between the reasonable, and then the students-from-teachers mill of garbage and sludge? That school especially seems really bad (I used to go there by the way, but it's freezing all year round and I've got a terminal illness), as people from every year like to talk to undergrads and lower-classmen and much like the teachers talk about the latest thing they heard intended to disgust or embarrass or frighten the kids out of any motivations they've ever had to make something animatiorial out of themselves. Bursting bubbles is one thing, but I cannot stand a stream of misinformation being spread to hopeful non-cynical people. Who's got it right? There's a lot of unnecessary ignorance going around it seems...
The funniest part is when I went just a mile outside that town to get art supplies, and to a guy at a video store, both of the clerks when they found out about my major talked about these guys who were really hard workers and exceptional draughtsmen, and within a year one guy went to Pittsburgh to animate on a big TV project and the other guy wound up at Dreamworks (according to him)....
It's like pockets of resistance and I can understand the filtration of anyone but the people who most wanna do this thing we call the animation experience, but....do it fairly....otherwise you're tainting the image of everyone and everything involved...